The inspiration for the hit Netflix show, Lupin, Arsene Lupin is charming, clever and bold. A master of disguise, he steals from the rich, he outsmarts the police and he's generous to those in need. And above all, he never takes himself too seriously. This French Robin Hood has charmed readers for generations and the stories about his dazzling escapades have been adapted countless times for television, stage and film, including the hit manga series Lupin III. Part of the Macmillan Collector's Library - a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These ...![](/b-images/quad-transp.gif) |
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Book 1 of the "Malice" Duology. ... The princess isn't supposed to fall for an evil sorceress. But in this darkly magical retelling of "Sleeping Beauty", true love is more complicated than a simple fairy tale. Perfect for fans of Naomi Novik and Holly Black . Once upon a time, there was a wicked fairy who, in an act of vengeance, cursed a line of princesses to die. A curse that could only be broken by true love's kiss. Utter nonsense. Let me tell you, no one in Briar cares what happens to our princess. I thought I didn't care, either. Until I met her. Princess Aurora, last heir to the ...![](/b-images/quad-transp.gif) |
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Get ready to meet some hair-raisingly horrid children in these 30 classic stories from Enid Blyton . Perfect for children aged 5 and up! From temper tantrums and telling tales to bickering and boasting, these bratty boys and ghastly girls are up to no good! Read on if you dare... Ranging from the light-hearted to the deliciously dark, these cautionary tales will delight young readers as much today when they first appeared in the mid-twentieth century. This collection is inspired by Enid Blyton's A Book of Naughty Children, first published in 1944. Ideal for younger children being read to and for newly confident ...![](/b-images/quad-transp.gif) |
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Ñëåäâàò ðåçóëòàòè ñ ïî-ñëàáî ñúâïàäåíèå íà òúðñåíîòî: |
250 èçïèòàíè ðåöåïòè çà âúçñòàíîâÿâàíå íà çäðàâåòî. ... Òîâà åíöèêëîïåäè÷íî èçäàíèå ùå âè ðàçêðèå âñè÷êî çà ÷óäîäåéíàòà ñèëà íà ïðî÷èñòâàíåòî íà îðãàíèçìà çà ïîñòèãàíå íà æèçíåíîñò, çäðàâå è äúëãîëåòèå. Âêëþ÷åíè ñà 250 ìåòîäà îò öÿë ñâÿò, ñ ïîìîùòà íà êîèòî ùå âúçâúðíåòå ñâîÿòà ìëàäîñò, ùå ïðåäîòâðàòèòå èëè èçëåêóâàòå åäíè îò íàé-÷åñòî ñðåùàíèòå òåæêè çàáîëÿâàíèÿ êàòî ñúðäå÷íîñúäîâè áîëåñòè, ðàê, ìóëòèïëåíà ñêëåðîçà è äð. ...![](/b-images/quad-transp.gif) |
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Îòêðîâåí ðàçêàç çà ïðåêðà÷åíèòå ìîðàëíè ãðàíèöè, îòâúä êîèòî íèùî íå å ñúùîòî è íèêîé íå å ñúùèÿò. Ðàçêàç çà áåçðàçñúäåí ñåêñ, àë÷íîñò, íåáëàãîäàðíîñò. Èñòîðèÿ çà òîâà êàê ìàëêèòå àíãåëè ñå ïðåâðúùàò â ÷óäîâèùà, à ëþáîâòà â îìðàçà. Íÿìà íåâèííè, âñåêè îò ãåðîèòå ïðàâè ñâîèòå ïðåäàòåëñòâà, âñåêè èìà ñâîÿòà èñòèíà. Âñåêè èìà è ñâîÿòà áîëêà. Ìîæå ëè ïðîøêàòà äà ñìåê÷è òàçè áîëêà, èëè ïðîøêàòà å íåâúçìîæíà? Òîé èñêà äà ïðîñòè è äà ñòàíå ñâîáîäåí. Èñòîðèÿ, ðàçêàçàíà ïðåç ïîãëåäà íà åäíà ÷èñòà äóøà - äàêåëêàòà Ïèïè, êîÿòî âèäÿ è íàé-äîáðîòî, è íàé-ëîøîòî îò ñâåòà íà õîðàòà. ...![](/b-images/quad-transp.gif) |
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Children can set off on an amazing adventure through the animal world with the help of appealing, contemporary artwork, fun text and incredible facts. Clever camouflage, super senses and life in the harshest habitats are just some of the topics covered. Charming characters communicate extra fun facts and a practical activity on every spread encourages reader participation. Also included is an animal families wall poster, plus a quiz page. ...![](/b-images/quad-transp.gif) |
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Êàðòèòå îò Professor Puzzle ñà ïîäõîäÿùè çà âñè÷êè ëþáèòåëè íà êíèãè. Çíàåòå ëè êîè ïðîèçâåäåíèÿ ñà íàïèñàëè Ìàðêúñ Çþñàê , Ìóðàêàìè , Øàðëîò Áðîíòå è Àëúí Àëåêñàíäúð Ìèëí ?  êóòèÿòà ñà âêëþ÷åíè 50 êàðòè ñúñ 100 âúïðîñà íà àíãëèéñêè åçèê. Îáîãàòåòå ïîçíàíèÿòà ñè ïî ëèòåðàòóðà, äîêàòî ñå çàáàâëÿâàòå. ...![](/b-images/quad-transp.gif) |
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 íà÷àëîòî íà 2020 ãîäèíà çà ïîðåäåí ïúò íà ÷îâå÷åñòâîòî áå ñúîáùåíî, ÷å å èçïðàâåíî ïðåä ñìúðòîíîñíà ïàíäåìèÿ, êîÿòî ùå âçåìå ñòîòèöè ìèëèîíè æåðòâè. Ìåñåöè ïî-êúñíî, îòíîâî çà ïîðåäåí ïúò ñå îêàçà, ÷å íèùî îò ïðåäñêàçàíèÿòà íà ìåäèéíàòà ïðîïàãàíäà íå ñå ñëó÷è. Ñðåäíàòà âúçðàñò íà îôèöèàëíî ïî÷èíàëèòå îò Covid-19 â Áúëãàðèÿ áå 75 ãîäèíè, íî ñðåäíàòà ïðîäúëæèòåëíîñò íà æèâîòà â íàøàòà ñòðàíà å ñàìî 74. Âúïðåêè òîâà, ÷ðåç ñúãëàñóâàíî áåçóìíè äåéñòâèÿ, íàñî÷åíè ñðåùó õèïîòåòè÷åí ïðîáëåì, ïðàâèòåëñòâîòî ïî÷òè íàïúëíî ðàçðóøè èêîíîìèêàòà, îñòàâè ñòîòèöè õèëÿäè ñåìåéñòâà áåç ïðåïèòàíèå è äîñúñèïà êëþ÷îâèòå çà áúäåùåòî è ...![](/b-images/quad-transp.gif) |
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×îâåêúò ñúçíàòåëíî, à ïîíÿêîãà è íåñúçíàòåëíî ìîæå äà âçàèìîäåéñòâà è âëèÿå íà ÷àñò îò Åíåðãèÿòà â è îêîëî ñîáñòâåíîòî ñè òÿëî ïî íÿêîëêî íà÷èíà: âúçäåéñòâèå âúðõó îñíîâíèòå åíåðãèéíè êàíàëè â ÷îâåøêîòî òÿëî - åíåðãèéíè ìåðèäèàíè (14 íà áðîé); âúçäåéñòâèå âúðõó åíåðãèéíî àêòèâíèòå òî÷êè, ðàçïîëîæåíè ïî åíåðãèéíèòå ìåðèäèàíè (361 òî÷êè); âúçäåéñòâèÿ âúðõó åíåðãèéíèòå öåíòðîâå - ÷àêðè (îñíîâíî 7 íà áðîé); âúçäåéñòâèå âúðõó åíåðãèéíèòå òåëà ïðè ÷îâåêà (îñíîâíî 7 íà áðîé)); êóëòèâèðàíå íà ñåêñóàëíàòà åíåðãèÿ - Êóíäàëèíè. ...![](/b-images/quad-transp.gif) |
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"Äæóíãëàòà íà ñêàêàëöèòå å åäíîâðåìåííî çëîâåù è çàáàâåí ðîìàí. Íàïîìíÿ íà "Êëàíèöà 5" íà Êúðò Âîíåãúò ïî âúçìîæíî íàé-äîáðèÿ íà÷èí!." New York Times Book Review Íèêîé íå î÷àêâàøå êðàÿò äà ñâåòà äà äîéäå òî÷íî òàêà. Äâå õëàïåòà, Ðîáè è Îñòèí, ïðîñòî ñå ìîòàåõà è ïóøåõà, êîãàòî áÿõà íàïàäíàòè è íàáèòè îò ãðóïà õóëèãàíè, çàùîòî èì ïðèëè÷àëè íà "çàõàðîñàíè ïåäàë÷åòà". Ïîñëåäâà ïîðåäèöà îò çëîùàñòíè îáñòîÿòåëñòâà, êîèòî â êðàéíà ñìåòêà äîâåäîõà äî èíâàçèÿ íà îãðîìíè ðàçãîíåíè è ìíîãî êðúâîæàäíè áîãîìîëêè, êîèòî ñå èíòåðåñóâàõà ñàìî îò äâå íåùà. È õëàïåòàòà, è áîãîìîëêèòå ñà äâèæåíè îò åäíè è ...![](/b-images/quad-transp.gif) |
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 ïúðâàòà ÷àñò íà êíèãàòà ñà èçëîæåíè îñíîâèòå íà êëàñè÷åñêàòà äèôåðåíöèàëíà ãåîìåòðèÿ. Âòîðàòà ÷àñò ñúäúðæà èçñëåäâàíèÿ íà àâòîðèòå âúðõó ðàçëè÷íè âúïðîñè îò äâèæåíèåòî íà ïîâúðõíèíà âúðõó ïîâúðõíèíà. Òðåòàòà ÷àñò âêëþ÷âà íàó÷íè ñòàòèè íà äðóãè àâòîðè ïî ñúùàòà òåìàòèêà. Íàñòîÿùîòî èçäàíèå å ñúâìåñòèìî ñ ó÷åáíàòà ïðîãðàìà çà 2023/2024 ã. Àêî èìàòå íóæäà îò ïîäâúðçèÿ çà ðàçëè÷íè ôîðìàòè ó÷åáíèöè, òåòðàäêè è ó÷åáíè ïîìàãàëà, ïîñåòåòå íàøàòà ñïåöèàëíà ñåêöèÿ Ïîäâúðçèè . ...![](/b-images/quad-transp.gif) |
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Ó÷åáíèêúò ïðåäñòàâëÿâà ïúðâè îïèò äà ñå ïðåäîñòàâÿò íà ñïåöèàëèñòèòå ïî ìåäèöèíñêà ðå÷åâà è åçèêîâà ïàòîëîãèÿ (ÌÐÅÏ) íóæíèòå çíàíèÿ çà íåðâíàòà ñèñòåìà, êîèòî ñà ÷àñò îò òÿõíàòà åêñïåðòèçà è ïîïàäàò â îáõâàòà íà òÿõíàòà ïðàêòèêà. Ìåäèöèíñêèòå ðå÷åâè è åçèêîâè ïàòîëîçè òðÿáâà äà ñòàíàò íåèçìåííà ÷àñò îò ìóëòèäèñöèïëèíàðíèÿ åêèï ó÷àñòâàù â òåðàïèÿòà è ðåõàáèëèòàöèÿòà íà ïàöèåíòè ñ íåâðîëîãè÷íè çàáîëÿâàíèÿ, ïðèäðóæåíè îò êîìóíèêàòèâíè íàðóøåíèÿ. ÌÐÅÏ å äèíàìè÷íî ðàçâèâàùà ñå ñïåöèàëíîñò. Ñïîðåä íåéíèòå îñíîâàòåëè Johnson è Jacobson (2007), îñíîâíèÿò àðãóìåíò çà èçó÷àâàíåòî ѝ å ñâúðçàí ñ ôàêòà, ÷å òÿ ñå îñíîâàâà íà ...![](/b-images/quad-transp.gif) |