Complete and unabridged. A pocket sized book - 10 x 15.5 cm. ... "Tales of the Jazz Age" features some of F. Scott's Fitzgerald's best-loved short stories and "novelettes" including "The Curious Case of Benjamin Button" and "The Diamond as Big as the Ritz". Set in the Jazz Age, Fitzgerald's own term for the Roaring Twenties of newly confident, post-war America, this collection shows a comic genius at work, fashioning every genre from low farce to shrewd social insight, along with fantasy of extraordinary invention. These stories illuminate the unique talent who went ... |
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Complete and unabridged. A pocket sized book - 10 x 15.5 cm. ... "You look as if you thought it tainted you to be loved by me." Forced to move from the rural tranquillity of southern England to the turbulent northern mill town of Milton, Margaret Hale takes an instant dislike to the dirt and noise that seems to characterize her new home and its inhabitants - even the handsome and charismatic cotton mill owner, John Thornton. But as she begins to settle in, and to understand the nature of the surrounding poverty and injustice, events conspire to throw her and Thornton together. Amidst the chaos of industrial ... |
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"This book isn’t only about sugar-free, allergen-free cooking and baking. It’s about sharing the recipes that I love and use all the time. Recipes that can be more flexible, to incorporate local produce or adapt to different dietary needs. Some of these recipes are family traditions or meant for special occasions, and some are much newer, but they are recipes that I come back to time after time. This is our story told from a place we all love at home - the kitchen. My advice is to not be afraid experimenting. Once in a while, you may have to start over, but more likely you’ll come up with something different and ... |
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Àëáóìúò "Post Traumatic" íà Mike Shinoda îò Linkin Park âêëþ÷âà 16 ïåñíè  ìåñåöèòå ñëåä ñìúðòòà íà Chester Bennington, Shinoda ñå îòäàâà íà èçêóñòâîòî êàòî íà÷èí äà ñå ñïðàâè ñ òúãàòà. Áåç äà èìà ïëàí, Shinoda ñå çàòâàðÿ â äîìà ñè â Ëîñ Àíäæåëèñ è çàïî÷âà äà ïèøå òåêñòîâå, äà çàïèñâà ïåñíè è äà ðèñóâà. Ïðåç 2018 òîé èçäàâà ïëî÷àòà "Post Traumatic", ñúñòîÿùà ñå îò òðè èçêëþ÷èòåëíî ëè÷íè ïàð÷åòà, âñÿêî îò êîèòî íîñè ñèëà è ïðåäñòàâÿ ëè÷íàòà ñêðúá íà èçïúëíèòåëÿ. È òðèòå ïåñíè ñà ïðèäðóæåíè îò çàñíåòè â äîìàøíè óñëîâèÿ êëèïîâå, êîèòî Shinoda ñíèìà è îáðàáîòâà ñàì. Ïàð÷åòàòà ñà ïîñðåùíàòè ñ ïîëîæèòåëíà ... |
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Prepare Second Edition Level 1 combines teen-appeal topics with gradual preparation towards the revised 2020 A2 Key for Schools exam. Students will enjoy interactive, personalised lessons with themes and resources relevant to their interests. The new Life Skills approach inspires learners to expand their horizons and knowledge and includes insights from The Cambridge Life Competencies Framework. Teachers can relax knowing every unit drives students towards exam success and that the course is creating confident English users with the enhanced vocabulary and grammar syllabus. Access the online Student's eBook with ... |
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The Ultimate Feel Good Songs. ... |
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Louis Isadore Kahn (1901 - 1974) treated each building like a temple. Across the United States, in India, Bangladesh, Pakistan, and Israel, his designs combined the sleek, utilitarian surfaces of modernism with a devotion to geometric forms and a reverence for natural light that suffused his structures with a monumental and breathtaking spirituality. This essential introduction brings together 17 of Kahn's most important buildings across his cultural, governmental, religious, and residential repertoire. Plans, views, descriptions, and quality photographs trace the context and development of each project, while an ... |
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Íàìåðè ñòèêåðà êúì äóìàòà è ãî çàëåïè. Ïðî÷åòè è íàïèøè äóìèòå íà äâàòà åçèêà, èçòðèé è ïàê ãè íàïèøè. ... Êàðòèííèÿò ðå÷íèê ñúñ ñòèêåðè å ïîä ôîðìàòà íà äèïëÿíà è å ïðåäíàçíà÷åí çà íàé-ìàëêèòå. Ñ íåãî äåöàòà ùå ìîãàò äà óñâîÿò íàé-âàæíèòå äóìè íà áúëãàðñêè è àíãëèéñêè åçèê ïî ëåñåí è çàáàâåí íà÷èí. Âúðõó ñïåöèàëíàòà ëàìèíèðàíà ïîâúðõíîñò ñ ïîìîùòà íà íåïåðìàíåíòåí ìàðêåð ìîãàò äà èçïèñâàò, èçòðèâàò è îòíîâî äà íàïèøàò íàèìåíîâàíèåòî íà âñÿêà êàðòèíêà è íà äâàòà åçèêà. Êúì ðå÷íèêà ñà âêëþ÷åíè öâåòíè ñòèêåðè ñ êàðòèíêè, îòãîâàðÿùè íà äóìèòå. Äåöàòà òðÿáâà äà çàëåïÿò ñòèêåðèòå íà ìåñòàòà, íà êîèòî ñúîòâåòñòâàò. Êíèæêàòà & ... |
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Èçäàíèåòî å ñúâìåñòèìî ñ íàñòîÿùàòà ó÷åáíà ïðîãðàìà. ... Ó÷åáíîòî ïîìàãàëî: å ïðåäíàçíà÷åíî çà ó÷åíèöè â 9. êëàñ íà ïàðàëåëêèòå ñ èíòåíçèâíî èçó÷àâàíå íà àíãëèéñêè åçèê; ñëåäâà ñúäúðæàíèåòî íà ïðîôèëèðàíèÿ ó÷åáíèê ïî ïðåäìåòà; ñúäúðæà àäàïòèðàíè òåêñòîâå çà óñâîÿâàíå íà íîâèòå çíàíèÿ è ïîíÿòèÿ íà àíãëèéñêè åçèê êúì âñåêè óðîê; âêëþ÷âà óïðàæíåíèÿ çà çàòâúðäÿâàíå íà ñúîòâåòíàòà ëåêñèêà è ïðàêòè÷åñêîòî îâëàäÿâàíå íà åçèêà. Êúì âñåêè îò óðîöèòå èìà êðàòúê òåðìèíîëîãè÷åí ðå÷íèê. Âñåêè óðîê å ïðåäñòàâåí íà äâå ñòðàíèöè ñ ïîìîùòà íà ÿñåí àëãîðèòúì: êðàòúê àäàïòèðàí òåêñò çà íîâèòå çíàíèÿ; àíãëèéñêî-áúëãàðñêè ðå÷íèê ... |
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Ïðî÷åòè è íàïèøè! Èçòðèé è ïàê íàïèøè! Çàëåïè è îöâåòè! ... Ðå÷íèê çà îöâåòÿâàíå ñúñ ñòèêåðè îò ïîðåäèöàòà "Ìîèòå ïúðâè íàé-âàæíè äóìè" íà áúëãàðñêè, àíãëèéñêè è ðóñêè åçèê. Ðå÷íèêúò çà îöâåòÿâàíå ñúñ ñòèêåðè íà òðè åçèêà å ïîäõîäÿù çà äåöà íà âúçðàñò ìåæäó 4 è 7 ãîäèíè. Ñ íåãîâà ïîìîù äåöàòà ùå ìîãàò äà óñâîÿò àçáóêàòà è íàé-ïîïóëÿðíèòå äóìè íà áúëãàðñêè, àíãëèéñêè è ðóñêè åçèê ïî ëåñåí è çàáàâåí íà÷èí, êàêòî è äà ñå íàó÷àò äà ãè ïèøàò. Êíèæêàòà "Ñåçîíèòå è äðåõèòå" ñå ïðåäëàãà â äâà âàðèàíòà: êíèæêà êíèæêà + CD Äèñêúò "Àóäèî ðå÷íèê çà äåöà: Ïåé è íàó÷è íà òðè åçèêà" ñúäúðæà ... |
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From the towering Sagrada Família to the shimmering, textured façade of Casa Batlló and the enchanting landscape of Park Güell, it's easy to see why Antoni Gaudí (1852 - 1926) gained the epithet "God's architect." With fluid forms and mathematical precision, his work extols the wonder of natural creation: columns soar like tree trunks, window frames curve like flowering branches, and ceramic tiling shimmers like scaly, reptilian skin. Window frames curve like flowering branches and ceramic tiling shimmers like reptilian skin in the fervent architectural imagination of Antoni ... |
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Êîãàòî ãîëÿìàòà îïåðíà çâåçäà Ìîíñåðàò Êàáàéå ãîñòóâà â Ñîôèÿ, òÿ ïðåäñòàâè ïðåä ïóáëèêàòà â çàëàòà åäíà ñâîÿ ó÷åíè÷êà - ìëàäàòà ïåâèöà Èíà ÊÚÍ×ÅÂÀ. Òîçè æåñò íå áåøå èçðàç ñàìî íà ëþáåçíîñò êúì äîìàêèíèòå. Èíà Êúí÷åâà ïÿ áëåñòÿùî è ïîêàçà, ÷å å äîñòîéíà ïàðòíüîðêà íà ïðî÷óòàòà ñè ó÷èòåëêà. Èíà Êúí÷åâà å ðîäåíà â Ñîôèÿ. Îùå îò äåòå ñå íàñî÷âà êúì ïååíåòî. Îò 1986 ã. äî 1994 ã. ïåå â Äåòñêèÿ ðàäèîõîð. Ó÷è â Äúðæàâíàòà ìóçèêàëíà àêàäåìèÿ “Ïàí÷î Âëàäèãåðîâ” îò 1996 ã. äî 2000 ã. â êëàñà íà äîö. Æàñìèíà Êîñòîâà. Ïðåç 1997-1998 ã. å ñïåöèàëèçàíòêà â Åâðîïåéñêèÿ îïåðåí öåíòúð â Ìàí÷åñòúð (Àíãëèÿ). Îò 2000 ã. ïåðèîäè÷íî ïîñåùàâà ... |
